CHAMAL
Mediterranean night lights carved into olive wood.
AIN / 03Explore the objectMassLight
Along the cut face of the olive wood, a single vein can be followed until it disappears into shadow.
Even an unlit object belongs to this way of thinking. In a tray, for instance, daylight falling along a curved rim can draw the eye towards the grain of the wood.
About the studio ↗SYFA
A fine line of shadow separates each of the four forms. Seen from across the room, they come together beneath the linen shade.
PrecisionIrregularity
Against the straight line of a brass stem, the slightest change in the direction of the grain is easy to see. In the collection, the two lines can be read together.
From matter to object ↗04 / After dark
When someone comes home
From the doorway, it is the lit patch of wall that first catches the eye. The curve of the wood comes into view a little later.
AIN ↗Objects
These six lights belong to the same family, although each gives the olive wood a different role. Open a piece to see its proportions, materials and availability.
Dimensions and lead times on request. Prices include VAT, excluding shipping.
Making
The collection brings olive wood together with linen, brass and glass. The joints between these materials are easiest to see up close.
Journal
These studio notes look at the grain of olive wood and the way light falls on each piece.
Studio
A dark vein disappears around the edge of an olive-wood block. Turn it a little and the line comes back into view, finer than it seemed at first.
CHAMAL leaves room for such details. A circle cut into the wood holds a glimpse of the wall; a linen shade lets a little light reach the curve beneath it.
Studio
Brussels, Belgium
Material
Solid Mediterranean olive wood
Production
Small batches and unique pieces
Founded
2026
Contact the studio
For dimensions, availability or an interior project, contact the studio with the name of the piece you have in mind.